Lee Filters  -  A world of vibrant colour which is at the very foundation of the Art of Light.

The Lee Filters plant is the worlds leading location for the production of filters for the film, television, theatre and stills photographic markets.  It is the only facility totally dedicated to the development and manufacture of these products.

Available in sheet or roll format, and in two manufacturing processes: polyester (for normal use) and polycarbonate (for hight temperature use).

Image	Numeric Colour	Description & Uses	HT
	002 Rose Pink	Strong pink wash, cycloramas
	003 Lavender Tint	Subtle cool wash for stage and studio lighting
	004 Medium Bastard Amber	Naturally enhances skin tones	*
	007 Pale Yellow	Sunlight enhances skin tones	*
	008 Dark Salmon	Enhances dark skin tones, sunsets, ballroom sets	*
	009 Pale Amber Gold	Late sunset	*
	010 Medium Yellow	Sunlight effect	*
	013 Straw Tint	Sunlight wash with gobo patterns, interior lighting	*
	015 Deep Straw	Strong mood effect on backings	*
	017 Surprise Peach	Skin tones, mood lighting
	019 Fire	Disco effect, fire effect	*
	020 Medium Amber	Late sunlight	*
	021 Gold Amber	Fire effect, sunset	*
	022 Dark Amber	Back lighting	*
	024 Scarlet	Pantomime, ballroom sets, fire effects	*
	025 Sunset Red	Warm stage wash, television studio wash, sunset effect
	026 Bright Red	Cycloramas	*
	027 Medium Red	Cycloramas	*
	035 Light Pink	Musical revues, warm wash	*
	036 Medium Pink	Front of house luminaires	*
	039 Pink Carnation	Back lighting, general colour wash	*
	046 Dark Magenta	Very strong pink, good for backlighting	*
	049 Medium Purple	A strong cheerful glow, for cycloramas and pantomines
	052 Light Lavender	Set dressing, pantomime and musicals	*
	053 Paler Lavender	Slightly cool wash	*
	058 Lavender	Back lighting	*
	061 Mist Blue	Night scenes, cool wash	*
	063 Pale Blue	Cycloramas, cool wash	*
	068 Sky Blue	Night effect, cycloramas
	071 Tokyo Blue	Midnight scenes, cycloramas
	075 Evening Blue	Night scenes, romantic moonlight
	079 Just Blue	Cycloramas	*
	085 Deeper Blue	Moonlight, strong back lighting	*
	088 Lime Green	Use with gobo patterns for leafy glades, sinister atmosphere
	089 Moss Green	Forest scenes, gobo pattern projection	*
	090 Dark Yellow Green	Highlighting for forest scenes	*
	100 Spring Yellow	Sunlight wash, use with gobos, discos, dark skin tones
	101 Yellow	Sunlight and window effect, pleasant in acting areas, leaf gobo projection
	102 Light Amber	Lamplight effects, dawn sun effects, pleasant in acting areas
	103 Straw	Pale Sunlight through window effect, warm winter effect
	104 Deep Amber	Mood effect on backing, backlighting on floor and colour effect
	105 Orange	Mainly light entertainment functions. Fire effect if used with 106, 166, 104
	106 Primary Red	Strong red effect, cyclorama
	107 Light Rose	Mood effect on backing, backlighting on floor and colour effect
	108 English Rose	Warm tint wash, dark flesh tones, softer skin tones
	109 Light Salmon	Interesting back lighting
	110 Middle Rose	Pleasing effects for theatrical lighting
	111 Dark Pink	Good for cycloramas
	113 Magenta	Very strong, used carefully for small areas in set
	115 Peacock Blue	Pleasing effects on sets, cycloramas, cloths, back lighting	*
	116 Medium Blue Green	Pleasing effects for theatrical lighting	*
	117 Steel Blue	Gaslight in conjunction with 213
	118 Light Blue	Strong night effect	*
	119 Dark Blue	Moonlight, mood effect, jazz club, etc	*
	120 Deep Blue	Pleasing effects for theatrical lighting	*
	121 Lee Green	Cycloramas, leaf gobo projection	*
	122 Fern Green	Cycloramas, good for mood effect, leaf gobo projection	*
	124 Dark Green	Cycloramas, good for back lighting	*
	126 Mauve	Cycloramas, good for back lighting
	127 Smokey Pink	Cycloramas, set lighting, discos
	128 Bright Pink	Cycloramas, good for back lighting, strong effect
	129 Heavy Frost	Used for soft light effect, diffuser
	130 Clear	Used in animation, projection and colour scrollers
	131 Marine Blue	Romantic moonlight, ballet, underwater scenes
	132 Medium Blue	Set lighting, traveling matt blue, cyclorama, night	*
	134 Golden Amber	Fire effect (doubled)
	135 Deep Golden Amber	Fire effect
	136 Pale Lavender	Pantomime, ballroom sets, enhances dark skin tones in follow spots
	137 Special Lavender	Moonlight, musical, romantic scenes, enhances skin tones
	138 Pale Green	Good with gobos patterns for wooded scenes
	139 Primary Green	Cycloramas	*
	140 Summer Blue	Warm blue, cycloramas, tint wash
	141 Bright Blue	Pretty or romantic moonlight, cycloramas, night	*
	142 Pale Violet	Moonlight, chandeliers, highlighting pot plants
	143 Pale Navy Blue	Moonlight, cycloramas
	144 No Colour Blue	Moonlight for blue green seas, cycloramas with 147 to produce sunsets
	147 Apricot	Sunrise, sunset, lamplight
	148 Bright Rose	Fire effects, musicals
	151 Gold Tint	Pleasing effects for theatrical lighting
	152 Pale Gold	Interior lighting to enhance skin tones
	153 Pale Salmon	Back lighting in conjunction with white light
	154 Pale Rose	Pleasing effects for theatrical lighting, lamplight
	156 Chocolate	With 103 in same lantern to produce candlelight
	157 Pink	Dance sequences (Useful for softening white costumes without effecting skin tones)
	158 Deep Orange	Fire effect
	159 No Colour Straw	Warm effect, sunlight
	161 Slate Blue	Moonlight and dusk
	162 Bastard Amber	Warm white, warm wash, lamp light
	164 Flame Red	Fire effect
	165 Daylight Blue	Moonlight
	166 Pale Red	Cycloramas
	169 Lilac Tint	Ballroom, dance, backlight, front of house (FOH)
	170 Deep Lavender	Set lighting, discos, theatres
	172 Lagoon Blue	Floodlit warm wash, underwater scenes, ballet	*
	174 Dark Steel Blue	Set lighting, creates good moonlight shadows
	176 Loving Amber	Sunrise, backlight
	179 Chrome Orange	Combination of 1/2 CTO & double strength 104, sunlight
	180 Dark Lavender	Pleasing effects for theatrical lighting, back lighting
	181 Congo Blue	Theatre and television effect lighting, back lighting (simulates Ultra Violet)	*
	182 Light Red	Theatre and television effect lighting, cycloramas
	183 Moonlight Blue	Moonlight, cycloramas
	184 Cosmetic Peach	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	185 Cosmetic Burgundy	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	186 Cosmetic Silver Rose	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	187 Cosmetic Rouge	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	188 Cosmetic Highlight	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	189 Cosmetic Silver Moss	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	190 Cosmetic Emerald	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	191 Cosmetic Aqua Blue	Pale tint to compliment key lighting, diffused, ideal for fashion parades
	192 Flesh Pink	Musical and pantomime key lights
	193 Rosy Amber	Warm, emotional, romantic
	194 Surprise Pink	With 193 for musicals
	195 Zenith Blue	Moonlight for dark sets, cycloramas	*
	196 True Blue	Moonlight
	197 Alice Blue	Moonlight, cycloramas	*
	198 Palace Blue	Dark moonlight, romantic evening
	199 Regal Blue	A deep lavender blue, that strongly enhances skin tones
	200 Double C.T.Blue	Converts tungsten to daylight
	201 Full C.T.B.	Converts tungsten to photographic daylight
	202 Half C.T.Blue	Converts tungsten to daylight
	203 Qtr C.T.B.	Converts tungsten to daylight
	204 Full C.T.Orange	Converts daylight to tungsten light
	205 Half C.T.Orange	Converts daylight to tungsten light
	206 Qtr C.T.O.	Converts daylight to tungsten light
	207 Full C.T.O. + .3ND	Converts daylight to tungsten 6500K to 3200K and reduces light 1 stop
	208 Full C.T.O. + .6ND	Converts daylight to tungsten and reduces light 2 stops
	209 0.3ND	Reduces light 1 stop, without changing colour
	210 0.6ND	Reduces light 2 stops, without changing colour
	211 0.9ND	Reduces light 3 stops, without changing colour
	212 L.C.T.Yellow	Reduces colour temperature of low carbon arcs to 3200K
	213 White Flame Green	Corrects white flame carbon arcs by absorbing ultra violet
	214 Full Tough Spun	Softens light, reduces intensity. Manufactured from non-woven Polyester
	215 Half Tough Spun	Softens light, reduces intensity. Manufactured from non-woven Polyester
	216 White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	217 Blue Diffusion	As white diffusion but with the addition of eighth CTB
	218 Eighth C.T.Blue	Converts tungsten to daylight
	219 Lee Fluorescent Green	General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction
	220 White Frost	Used for soft light effects. Flame retardant frosts come in four strengths
	221 Blue Frost	As White Frost but with the addition of eighth CTB
	223 Eighth C.T.O.	Converts daylight to tungsten light
	224 Daylight Blue Frost	Frosts are used for soft light effects and can include tungsten correction or neutral density
	225 Neutral Density Frost	Frosts are used for soft light effects and can include tungsten correction or neutral density
	226 Lee U.V.	Transmission of less than 50% at 410nms
	228 Brushed Silk	Directional soft light effect used for scattering light in one direction only
	229 Quarter Tough Spun	Softens light, reduces intensity. Manufactured from non-woven Polyester
	230 Super Corr.L.C.T.Yellow	Converts yellow carbon arc (of low colour temperature) to tungsten
	232 Super Correction W.F.Green to Tungsten	Converts white flame arc to 3200K, for use with tungsten film
	236 H.M.I. (to Tungsten)	Converts HMI to 3200K, for use with Tungsten film
	237 C.I.D. (to Tungsten)	Converts CID to 3200K, for use with tungsten film
	238 C.S.I. (to Tungsten)	Converts CSI to 3200K, for use with tungsten film
	241 Lee Fluorescent 5700K	Converts tungsten to fluorescent light of 5700K (cool white/daylight)
	242 Lee Fluorescent 4300K	Converts tungsten to fluorescent light of 4300K (white)
	243 Lee Fluorescent 3600K	Converts tungsten to fluorescent light of 3600K (warm white)
	244 Lee Plus Green	Approximately equivalent to CC30 green
	245 Half Plus Green	Approximately equivalent to CC15 green
	250 Half White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	251 Quarter White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	252 Eighth White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	253 Hampshire Frost	Light frost effect
	254 New Hampshire Frost	Moonlight, cycloramas	*
	255 Hollywood Frost	Frosts are used for soft light effects and can include tungsten correction or neutral density
	256 Half Hampshire Frost	Extra light frost effect
	257 Quarter Hampshire Frost	Extra light frost effect
	258 Eighth Hampshire Frost	Extra light frost effect
	261 Tough Spun FR Full	Non yellowing flame retardant spun polyester material in five densities to give better light control
	262 Tough Spun FR 3/4	Non yellowing flame retardant spun polyester material in five densities to give better light control
	263 Tough Spun FR 1/2	Non yellowing flame retardant spun polyester material in five densities to give better light control
	264 Tough Spun FR 3/8	Non yellowing flame retardant spun polyester material in five densities to give better light control
	265 Tough Spun FR 1/4	Non yellowing flame retardant spun polyester material in five densities to give better light control
	269 Lee Heat Shield	A transparent flexible film used to extend the life of a filter. The shield should be placed between the light source and the filter allowing distance between the shield and the filter. Air should be allowed to circulate freely around the LEE HEAT SHIELD.
	278 Eighth Plus Green	Provides very slight green cast
	279 Eighth Minus Green	Provides very slight correction
	280 Black Foil	Used to reduce unwanted light spill or to control unwanted light reflection
	281 Threequarters C.T.B.	Converts tungsten to daylight
	285 3/4 CT Orange	Converts daylight to tungsten light
	298 0.15ND	Reduces light 1/2 stop, without changing colour
	299 1.2ND	Reduces light 4 stops, without changing colour
	322 Soft Green	Cool green for gobo pattern projection, pantomimes, cycloramas
	323 Jade	Underwater scenes, cycloramas, back lighting
	325 Mallard Green	Mood setting, jungle or deep undergrowth
	327 Forest Green	Sinister forest scenes, cycloramas, back lighting
	328 Follies Pink	Dramatic stage lighting
	332 Special Rose Pink	Pantomimes, light entertainment, strong stage light
	341 Plum	Romantic, atmospheric set lighting
	343 Special Medium Lavender	Theatre and television effect lighting, back lighting
	344 Violet	Dusk effect, good skin tones, romantic effect
	345 Fuschia Pink	Musical revue, pantomime, sultry scenes
	352 Glacier Blue	Cool atmospheric mood setting
	353 Lighter Blue	Daylight effects
	354 Special Steel Blue	Cooling blue-green wash for stage and set lighting
	363 Special Medium Blue	Cool moonlight, mood effects	*
	366 Cornflower	Seasonal mood lighting, pale moonlight
	400 Leelux	A dense white diffuser used for soft white effects (125 micron polyester base)
	410 Opal Frost	Used for softening spotlight beam edges without altering shape
	420 Light Opal Frost	Similar characteristics to Opal Frost but less diffuse
	441 Full C.T. Straw	Converts daylight to tungsten light with yellow bias
	442 Half C.T. Straw	Converts 6500K to 4300K - daylight to tungsten light with yellow bias
	443 Qtr C.T. Straw	Converts 6500K to 5100K - daylight to tungsten light with yellow bias
	444 Eighth C.T. Straw	Converts 6500K to 5700K - daylight to tungsten light with yellow bias
	450 Three Eighth White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	452 Sixteenth White Diffusion	Used for soft light effects. Manufactured on a tough polyester base in a range of seven strengths
	701 Provence	The colour of the Lavender fields of the south of France. A redder version of 180 for use on cameras balanced to tungsten sources
	702 Special Pale Lavender	A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades
	704 Lily	A cool lavender with little red content. Good for romantic evening exteriors
	705 Lily Frost	Smoothes PAR or flood washes of large areas. Useful for houselights; a good colour wash for evening events
	707 Ultimate Violet	Used in musical performances for general colour washes and set lighting	*
	708 Cool Lavender	For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting
	709 Electric Lilac	Provides good colour rendering which creates sharp edges, adding a touch of drama
	711 Cold Blue	A cold grey HMI effect from a tungsten source
	712 Bedford Blue	A smoky warm blue. Good for skin tones
	713 J.Winter Blue	A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash	*
	714 Elysian Blue	A new deeper version of Alice Blue
	715 Cabana Blue	A deep blue that still has enough transmission to work encouragingly well on television	*
	716 Mikkel Blue	A romantic blue to produce a night effect	*
	717 Shanklin Frost	201 with frost to soften the beam of profile units
	718 Half Shanklin Frost	202 with frost to soften the beam of profile units
	719 Colour Wash Blue	To allow low intensity tungsten to hold a cold blue feel
	720 Durham Daylight Frost	Smoothes PAR or flood washes of large areas. Useful for houselights; good for entrances from natural light.
	721 Berry Blue	Used in musical performances for a rear colour wash, or set lighting	*
	722 Bray Blue	A purer blue with very little red in it
	723 Virgin Blue	This is a pure blue, not to green and not to lavender, yet still feels warm for a blue with a early morning feel
	724 Ocean Blue	Useful for low levels of light such as Dull Skies or Moonlight
	725 Old Steel Blue	Cool Wash, useful for highlights
	728 Steel Green	Approaching Storms, Overcast Days, Cold Steely Light or Malevolent Moonlight
	729 Scuba Blue	Used in musical performances for a rear colour wash, or set lighting	*
	730 Liberty Green	A good green for creating mystery and suspense
	735 Velvet Green	A beautiful background colour, Victorian Melodrama or a Nightime Green
	736 Twickenham Green	A powerful green with depth, for music or light entertainment
	738 JAS Green	A rich yellowish green: useful as a concert stage wash where darker skin tones, costume, and set are a consideration	*
	744 Dirty White	Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a dingy effect like a smoky bar
	746 Brown	Gives a murky, dirty feel; gives a darker (less Pink) chocolate
	747 Easy White	Developed for fluorescents to ensure warm, comfortable light and flattering skin tones
	748 Seedy Pink	A smokey pink. Good for tungsten skin tones
	749 Hampshire Rose	Combines flesh tone warmer 154 with some Hampshire frost
	750 Durham Frost	A frost that almost completely softens shutter edges and removes hot spots
	763 Wheat	Adds warmth, Sunlight
	764 Sun Colour Straw	Adds warmth, Bright Colour
	765 LEE Yellow	Useful for producing a strong sunlight effect
	766 Oklahoma Yellow	A rich blend of bright sunshine and warm ochre overtones
	770 Burnt Yellow	A colour that feels warm and dense on camera, a balance between 179 and 105
	774 Soft Amber Key 1	Used for producing a warm key light colour
	775 Soft Amber Key 2	Used for producing a warm key light colour
	776 Nectarine	Romantic Sunset, Period Pieces
	777 Rust	A vivid rust colour effect
	778 Millennium Gold	Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a HMI lamp	*
	779 Bastard Pink	Deep Sunset, Useful on dark skin tones
	781 Terry Red	A strong amber red that works well when used against deep reds, and dark ambers, in wash combinations, and on cycloramas
	789 Blood Red	For a deep saturated red effect, Used when a strong vivid red is required
	790 Moroccan Pink	A rich natural pink, good for producing late afternoon sun effects
	791 Moroccan Frost	Smoothes PAR or flood washes of large areas. Useful for houselights; good for interior colour washes
	793 Vanity Fair	A rich glamorous pink, good for use on special occasions
	794 Pretty 'n Pink	Creates warm and soft effects
	795 Magical Magenta	Rich mixture of red and pinks
	797 Deep Purple	Used in musical performances for general colour washes and set lighting	*
	798 Chrysalis Pink	A new deeper lavender with a dash of rose blusher